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carpet is more a work of art than an article
which people step on for everyday use. 70% of the tourists coming
to Turkey return to their homes with carpets
because Turkey is a treasure-house of carpets.
To
understand how valuable Turkish carpets are, it
is better to go back to their origin. For a nomad
who lived in a tent, home was a simple place; a
combination of walls, roof and floor. The floor
was not usually an elaborate structure, just a
simple carpet laid directly onto the earth. The
carpet was a bug-excluder, soil leveler,
temperature controller and comfort provider all
in one.
The
texture of the material beneath one's feet was
sensual proof that this was home and not the
wild.
As
for the history of the carpet, various fragments
exist from the 56C AD, but it is only from
the Seljuk period in Anatolia that many more
pieces have survived. Marco Polo, during his
journey through Seljuk lands towards the end of
the 13C reported that the best and finest carpets
were produced in Konya.
Since a carpet is
more of a work of art, the deeper meanings of
each design cannot be neglected. A carpet can be
likened to a poem; neither can tolerate any extra
element which does not contribute to its
wholeness and value. Therefore, just like in a
poem, each pattern of a carpet is chosen for its
beauty and motifs are carefully arranged to form rhymes.
Turkish
carpets carry a wide range of symbols. For many
centuries, Anatolian women have been expressing
their wishes, fears, interests, fidelity and love
through the artistic medium of carpets. Even so,
there are typical repeated motifs changing from
region to region; geometric designs, tree of
life, the central medallion design, the prayer
niches in prayer rugs, etc.
Turkish carpets
are made of silk, wool or cotton. A silk pile
gives a carpet the great brilliance.
Cotton-warped carpets almost always have a more
rigid and mechanical appearance than
woolen-warped. Yarns have been used in their
natural colors or colored with dyes extracted
from flowers, roots and insects.
Carpets
are made on vertical looms strung with 3 to 24
warp (vertical) threads per cm (8 to 60 per in)
of width. Working from bottom to top, the carpet
maker either weaves the rug with a flat surface
or knots it for a pile texture. Pile rugs use
57.5 cm / 23 in lengths of yarn
tied in Turkish (Gordes) or Persian (Sehna) knots
with rows of horizontal weft yarn laced over and
under the vertical warp threads for strength.
After the carpet is completely knotted, its pile
is sheared and the warp threads at each end are
tied into a fringe. The finer the yarn and the
closer the warp threads are strung together, the
denser the weave and, usually, the finer the
quality.
The best-known
flat-woven rug is the kilim which
is lighter in weight and less bulky than pile
rugs. It has a plain weave made by shooting the
weft yarn over and under the warp threads in one
row, then alternating the weft in the next row.
The sumak type is woven in a
herringbone pattern by wrapping a continuous weft
around pairs of warp threads.
Taking
a tour of a carpet production center is highly
recommended in order to have firsthand experience
of this art and to see a full range of the
different designs exhibited.
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