 Contents
of this Page
Gediz
(Hermos) River
Bergama
(Pergamum)
. History
of Pergamum
. Pergamum,
One of the Seven Churches of Revelation
. Archeological
Evidence
Acropolis
Kizil
Avlu (The Red Court)
Asclepieum
. Galen
. The
Site
Bakircay
(Caicus) River
Akhisar
(Thyatira)
. Thyatira,
One of the Seven Churches of Revelation
|
 |
| |
|
| |
|
Part 1
Bergama (Pergamum)-Akhisar (Thyatira) |
|
| |
|
| GEDIZ
(HERMOS) RIVER |
|
| |
|
| |
|
| |
|
| With a length of 401 km /
250 miles, the Gediz is 2nd longest river in
the Aegean region. It originates from western
central Anatolia and flows into the Gulf of Izmir
near Foca. In the 19C there was a danger of the
port of Izmir being blocked by its alluviums
which is why another channel was dug in the
northern part.
BERGAMA (PERGAMUM)
Pergamum was an
ancient city founded by colonists on the Aegean
coast of Anatolia at the site of the present-day
city of Bergama. It was on a tributary of the
Bakircay (Caicus River), enclosed by high
mountains. Fertile, self-contained and easily
defended, it provided the perfect setting for the
maintenance of a city state.
History
of Pergamum
In the era
following the death of Alexander the Great (323
BC), Lysimachus, one of Alexander’s
generals, chose Pergamum as the depository for
his vast wealth, placing here 9,000 talents of
gold under the guardianship of his lieutenant,
Philetaerus. Upon Lysimachus’s death,
Philetaerus used this fortune and founded the
independent dynasty of the Attalid Kings.
Pergamum later became the capital of a
flourishing Hellenistic kingdom and one of the
principal centers of Hellenistic civilization.
Under Kings Attalus I and Eumenes II,
Pergamum reached the height of its independent
powers. At the same time, however, it began to
look to Rome for alliance against the warring
Hellenistic rulers. After signalizing himself as
a friend of Rome, Attalus I was awarded the
Seleucid dominions, making Pergamum a powerful
kingdom, comprising of Mysia, Lydia, Caria,
Pamphylia and Phrygia. In addition to extending
the kingdom, Attalus I adorned his capital
with architectural splendors. Eumenes II
also brought the city to the climax of its
cultural prominence. During the reigns of these
two prominent kings, the city so flourished that
it could only be compared to Antioch and
Alexandria.
King Attalus III
bequeathed (133 BC) his domains to the Romans,
under whom the city retained its position as the
preeminent artistic and intellectual center of
Anatolia but declined in political and economic
importance.
The city went
through the Arab, Byzantine and finally the
Turkish period in the 14C.
Pergamum attained
a high culture in the Hellenistic era, boasting
an outstanding library that rivaled in importance
that of Alexandria, a famous school of sculpture
and excellent public buildings and monuments of
which the Zeus Altar is the best example.
In the Roman
period, Pergamum played an important role in the
early history of Christianity. It was also
numbered among the Seven Churches of Revelation.
Pergamum, One of the
Seven Churches of Revelation
(Revelation
2:12-17)
(12)
"Write this letter to the leader of the
church in Pergamos:
"This message
is from him who wields the sharp and
double-bladed sword. (13) I am fully aware that
you live in the city where Satan’s throne
is, at the center of satanic worship; and yet you
have remained loyal to me and refused to deny me,
even when Antipas, my faithful witness, was
martyred among you by Satan’s devotees.
(14) "And yet
I have a few things against you. You tolerate
some among you who do as Balaam did when he
taught Balak how to ruin the people of Israel by
involving them in sexual sin and encouraging them
to go to idol feasts. (15) Yes, you have some of
these very same followers of Balaam among you!
(16) "Change
your mind and attitude, or else I will come to
you suddenly and fight against them with the
sword of my mouth.
(17) "Let
everyone who can hear, listen to what the Spirit
is saying to the churches: Every one who is
victorious shall eat of the hidden manna, the
secret nourishment from heaven; and I will give
to each a white stone and on the stone will be
engraved a new name that no one else knows except
the one receiving it.
Archeological
Evidence
A young German
engineer Carl Humann, who was engaged in building
a road in Bergama in 1875 was told that a great
quantity of loose stone was available among the
ruins at the top of the hill behind the city.
That which started as the need for road
construction resulted in Humann’s
archeological studies and the uncovering of many
beautiful pieces including the Zeus Altar and
Gateway to the Sanctuary of Athena which were
subsequently taken to the Pergamum Museum in
Berlin.
|
|
| |
|
| Acropolis |
|
| |
|
| |
|
| The function of the acropolis in
Pergamum was never the same as the function of
the acropolis in Athens. In Athens everything was
focused on religion, whereas in Pergamum it was
on social and cultural activities, or in other
words, daily life. As a result of this contrast,
major buildings in Pergamum were reserved for
public use in daily life. Even in the temples,
religion was of secondary importance. Buildings
had large areas for the public where they could
meet, walk or join in social affairs. Pergamum
was the first city to react against functional
urbanism of Hippodamus preferring ornamental
urbanism. Pergamenes agreed that functionalism
was necessary, but that aesthetics were to be
given even more consideration. The buildings of
the Acropolis were designed to be seen from below
and to impress those viewing the city from the
valley. Except
for the Trajan Temple all the buildings were
built in the Hellenistic period during which
constructions were made of andesite and very
rarely in marble.
Heroon, in
general, is a shrine dedicated to a deified hero.
The Heroon in the Acropolis of Pergamum was the
imperial cult or the shrine in which kings of
Pergamum, especially Attalus I and
Eumenes II, were worshipped.
It was a peristyle
building made of andesite from the Hellenistic
period.
The Sanctuary
of Athena was entered through a propylon
which was built by Eumenes II. As written in
its inscription, it was dedicated to
victory-bringing Athena by King Eumenes. The
entrance opens into a courtyard surrounded by
three stoas of the Doric order. This also dates
from the same period. At the corner near the
theater was the Athena Temple in Doric order
which was built earlier, in the 3C BC. It
was built of andesite and stood on a crepidoma
with two steps.
The Library of
Pergamum, built by Eumenes II, was the
second of the three famous ancient libraries. It
contained 200,000 volumes. A century later Mark
Antony gave them to Cleopatra as a wedding
present to be added to the collection of the
library in Alexandria. The library building was
next to the north stoa of the Athena Sanctuary.
Most probably, the second floor of the stoa was
at the same level with the first floor of the
library. It had a large reading hall with many
shelves all around, leaving an empty space
between walls and shelves for the circulation of
air to prevent humidity. Manuscripts were written
on parchment then rolled or folded and put on
shelves.
When the Egyptians
prohibited the export of papyrus, the King of
Pergamum ordered that a new material be found.
The new discovery was "parchment", a
fine material from sheep or goat skin, highly
polished with pumice stone and slit into sheets.
Therefore the name of Pergamum has been
perpetuated and seen as synonymous with the word
"parchment".
The Temple of
Trajan was a 2C AD temple in Corinthian
order, dedicated to Trajan, built by his
successor Hadrian. Both emperors were worshipped
there. The temple was built of marble, probably
on the site of a previous Hellenistic building.
Before the construction, the area was leveled off
by using a successful arched and vaulted
substructure. The temple is flanked by stoas on
three sides, the one at the back being higher
than the others. It was in Corinthian order to
have a peripteros plan, with 9 by 6 columns.
It is said that
the Theater in the acropolis of Pergamum
is the steepest raked Hellenistic theater in the
world. The cavea of the theater which
consists of 80 rows of seats is divided into
three sections by two diazomas. The capacity was
10,000 people. The construction material is
andesite. Because it was originally a Hellenistic
theater, there was not a permanent stage building
and people sitting on the cavea could see outside
and beyond the playing area. In the Hellenistic
period, performances were held in a festive
atmosphere and took a long time. People spent a
lot of time in the theater, usually the minimum
of a full day. Therefore, they never wanted to
block their view of outside and the stage
building, being made of wood, was portable.
Square holes at the back of the orchestra were
for the portable stage building. The theater was
also used during the Roman period with some
alterations.
The finest altar
ever built can be accepted as the Zeus Altar
at Pergamum, of about 180 BC, which stands in its
own precinct but, most unusually, without a
temple. The altar, a marble offering-table, stood
on an enormous stone plinth, which also supported
the double colonnade of Ionic columns enclosing
it on three sides. On the fourth side it was
approached by a fine stairway, nearly 20 m /
65 ft wide.
Much of the
structure and almost all of the friezes are now
in Berlin. Decorated with vigorous friezes of
life-size figures depicting a battle between gods
and giants, its contemporary context is probably
King Eumenes II’s celebration of his
recent victories over the Gauls in Pontus and
Bithynia. If this is so, then the context
incorporates within its apparently
straightforward mythology the King’s
assertion of his own triumphant role as the
defender of traditions against barbarianism.
|
 |
| Temple of
Trajan, 2CAD,
Acropolis, Pergamum |
|
| |
|
| Kizil
Avlu (The Red Court) |
|
| |
|
| |
|
| This building was a 2C AD
temple dedicated to Egyptian gods and goddesses
from the time of the Emperor Hadrian. In the
Byzantine period it was converted into a
basilica. Because of the red bricks used in the
construction and its court-like area, it was
named the Red Court. |
|
| |
|
| Asclepieum |
|
| |
|
| |
|
| Asclepieum was a sanctuary and a
healing center built in the name of the god of
healing, Asclepius. It was similar to the one in
Epidauros in Greece. Although this place was set
up in the 4C BC, it had its peak in the
Roman period. Asclepius, son of Apollo, the god of
healing, was a famous physician. His mother,
Coronis, a princess of Thessaly, died when he was
an infant. Apollo entrusted the child’s
education to Chiron, a centaur, who taught
Asclepius the healing arts. Asclepius, when
grown, became so skilled in surgery and the use
of medicinal plants that he could even restore
the dead back to life. Hades, ruler of the dead,
became alarmed at this and complained to Zeus,
who killed Asclepius with a thunderbolt. The
healing center, Asclepieum, had been something
very similar to a modern natural healing clinic.
Patients were given exercises, drugs, herbal
remedies, or could take the honey cure, drink the
waters of the spring or be treated by suggestion.
They could walk among the trees and be calmed by
the scent of pine. Over the gate had been
inscribed the words: "In the name of the
Gods, Death is forbidden to enter".
Snakes were sacred to Asclepius because of their
power to renew themselves. That is why there was
a relief of snakes at the entrance to the sacred
area of the medical center symbolizing health.
Among the famous physicians of the Asclepieum was
Galen.
Galen (c.129-199 AD)
Galen was the most
outstanding physician of antiquity after
Hippocrates. His anatomical studies on animals
and observations of how the human body functions
dominated medical theory and practice for 1400
years. Galen was born in Pergamum. A shrine to
the healing god Asclepius was located in Pergamum
and there young Galen observed how the medical
techniques of the time were used to treat the ill
or wounded. He received his formal medical
training in nearby Smyrna and then traveled
widely, gaining more medical knowledge.
Galen dissected
many animals, particularly goats, pigs and
monkeys, to demonstrate how different muscles are
controlled at different levels of the spinal
cord. He also showed that the brain controls the
voice. Galen showed that arteries carry blood,
disproving the 400-year-old belief that arteries
carry air. Galen was also highly praised in his
time as a philosopher. He closely followed the
view of the philosopher Aristotle that nothing in
nature is superfluous. Galen’s principal
contribution to philosophic thought was the
concept that God’s purposes can be
understood by examining nature. Galen’s
observations in anatomy remained his most
enduring contribution. His medical writings were
translated by 9C Arab scholars.
The Site
The Colonnaded
Road connected Asclepieum to the city.
Originally it was 820 m / 2,700 ft.
Today only a small part of this road is visible. The
Propylon was located at the end of the
colonnaded road and dates from 2C AD. It had
12 steps and opened into a large courtyard which
was surrounded by stoas on three sides. It had
beautiful acroteriums one of which can be seen in
the Bergama museum. Stoas originally had
Ionic capitals but after an earthquake in the
2C AD, some Corinthian capitals were also
used. The Library was for both
educational and entertainment purposes with many
medical books for the physicians and other books
for use by the patients. The Theater is a
small building in Roman style with a capacity of
3,500 people. It was mainly used for performances
to entertain the patients when not receiving
treatment. The Sacred Fountain provided
water believed to have had healing power. Sleeping
rooms were used to make the patients sleep
and analyze their dreams. The Tunnel is a
vaulted subterranean passageway. It is 80 m /
262 ft long. Under the floor ran water which
provided relaxing sounds. On the ceiling there
are 12 windows to provide sunlight inside the
tunnel. The Round Treatment Center was a
two-storied building with six apsidal sections.
Today only the lower floor remains. The walls and
the floor were covered with marble and the roof
was made of wood. Water coming through the
tunnel, recesses for washing and the sun-terrace
show that this room was also used for the
treatment of patients. The Temple of Asclepius
was erected by the Consul of the time in the
2C AD. The main part of the temple was
cylindrical and covered by a dome. The floor and
the walls were decorated with marble mosaics.
There were many statues of gods and deities
related to health including those of Asclepius
himself. This building can be accepted as one of
the earliest structures with a dome in Anatolia.
|
 |
| Tunnel in the
Healing Center,
Asclepieum, Pergamum |
|
| |
|
| BAKIRCAY (CAICUS)
RIVER |
|
| |
|
| |
|
| It is a
129 km / 80 miles long river
originating from mount Omer which is in the south
of Balikesir. It pours into the sea at the Gulf
of Candarli. 3 main tributaries unite on Bakircay
plateau to form the river. |
|
| |
|
| AKHISAR (THYATIRA) |
|
| |
|
| |
|
| The ancient city
of Thyatira is occupied by the modern town of
Akhisar meaning in Turkish "white
castle" named from the ruins of an old
castle. Because of modern occupation, not much
from its ancient archeological remains is seen. Thyatira was an
insignificant town until it was refounded by
Seleucus Nicator in the beginning of the
3C BC. It was originally a military fort but
lost this purpose with the Pax Romana and
became a wealthy commercial city. The city had a
number of trade guilds. Every skilled worker was
a member of a union some of which could be listed
as tailors, woolworkers, tanners, potters,
bakers, etc.
Commercial guilds
in Thyatira were connected with the pagan
religions of the city and involved participation
in pagan ritual, feasts and celebrations.
Thyatira, One of the
Seven Churches of Revelation
(Revelation
2:18-29)
(18)
"Write this letter to the leader of the
church in Thyatira:
" This is a
message from the Son of God, whose eyes penetrate
like flames of fire, whose feet are like glowing
brass.
(19) "I am
aware of all your good deeds—your kindness
to the poor, your gifts and service to them; also
I know your love and faith and patience and I can
see your constant improvement in all these
things.
(20) "Yet I
have this against you: You are permitting that
woman Jezebel, who calls herself a prophetess, to
teach my servants that sex sin is not a serious
matter; she urges them to practice immortality
and to eat meat that has been sacrificed to
idols. (21) I gave her time to change her mind
and attitude, but she refused. (22) Pay attention
now to what I am saying: I will lay her upon a
sickbed of intense affliction, along with all her
immoral flowers, unless they turn again to me,
repenting of their sin with her; (23) and I will
strike her children dead. And all the churches
shall know that I am he who searches deep within
men’s hearts and minds; I will give to each
of you whatever you deserve.
(24, 25) "As
for the rest of you in Thyatira who have not
followed this false teaching ("deeper
truths," as they call them—depths of
Satan, really), I will ask nothing further of
you; only hold tightly to what you have until I
come.
(26) "To
every one who overcomes—who to the very end
keeps on doing things that please me— I will
give power over the nations. (27) "You will
rule them with a rod of iron just as my Father
gave me the authority to rule them; they will be
shattered like a pot of clay that is broken into
tiny pieces. (28) And I will give you the Morning
Star!
"Let all who
can hear, listen to what the Spirit says to the
churches.
|
 |
| Akhisar
(Thyatira) |
|
| |
|
| |
|
| Copyright © 1997 Serif Yenen All rights reserved. NO
part of the information and materials in this web
site may be reproduced or transmitted in any form
or by any means, electronic or mechanical,
including copying, recording and storing in any
information storage and retrieval system without
written permission from Serif Yenen Disclaimer
While every effort has been made to make this web
site as complete and as accurate as possible,
this text should only be used as a general guide
and not as an original source of information.
Comments, suggestions or corrections relating to
possible errors both typographical and in terms
of content would be much appreciated.
The author shall have neither liability nor
responsibility to any person or entity with
respect to any loss or damage caused, or alleged
to be caused, directly or indirectly by the
information contained in this web site.
For more information
write to info@turkishodyssey.com
For your advertisements write to
ads@turkishodyssey.com
Last updated February 02, 2000
webmaster@turkishodyssey.com
|
|
| |
|
|
|
|